Neil Gaiman’s Sandman is no stranger to options. The graphic novel has been in line to become a feature film on a few occasions, reports The Hollywood Reporter, but none managed the distance. One reason was summed up by screenwriter Eric Heiserrer, who said in 2016, the best version of this property exists as an HBO Read More …
Not for the first time, a major Hollywood movie opened in China before the US, but hopes of a stellar performance were dashed. The fourth movie in the hugely successful Toy Story franchise went head to head with a re-release of a 2001 film from Japan, and came out behind. In The Hollywood Reporter’s own Read More …
It was back in 2015 that China jumped the US to take top spot for the most cinema goers. Hardly surprising, given China’s 1.4 billion population. But the film industry wallowed in the complacency that in dollar terms – the only metric that matters for some – the US was unassailable. Not any more. The Read More …
Manga has long since moved away from its homelands in the Far East, and we in the west tend to take for granted now that Manga is part of the international cultural scene. So the news from the Cannes Film Festival that Japan’s Toei Animation studio is working with other countries will come as no surprise. But Read More …
Marvel’s newest superhero movie, Avengers: Endgame, launches across the world in April, and is predicted by some optimists to be the first Hollywood movie to break the half billion dollar mark at the US box office. Given none has yet broken the $400 million mark, that’s wildly ambitious. Observes The Hollywood Reporter, The biggest U.S. Read More …
Founded in 2015 by former Penguin Random House global digital director Molly Barton and co-founder Julian Yap, Serial Box is just one more example in a never ending list of digital operators that are stealing readers from mainstream bookstores and online stores, creating the fallacy that people are reading less. Serial Box is a clever play on Read More …
“Jessica Jones, Punisher Canceled as Netflix Completes Marvel Purge” runs the headline in The Hollywood Reporter, but it’s not so much a purge as the inevitable consequence of the direction video streaming is taking. And publishing is not so far behind. Original content is of course a great draw for consumers, to a degree. But Read More …
It’s been a while since the release of The Cursed Child, the Fantastic Beasts and Where to Find Them and the Hogwarts Library digital audiobook, and revenues have been hit, as The Bookseller reports. In the period, revenues were £32.8m, down from the previous year’s £40.3m. Pretax profit was £3.4m, compared with £3.5m. Nevertheless, the result showed that Pottermore Read More …
Unusually we Start the Day Global today in Michigan, USA, where this delightful story caught my eye over at Publishers Weekly. Girls of the Crescent: Teen Sisters Promote Stories of Muslim Girls When sisters Mena and Zena Nasiri, both avid teen readers, noticed a dearth of YA books featuring Muslim females like themselves, they took Read More …
The numbers are in and the numbers are: $42 billion globally, with North America contributing an impressive $11.9 billion of that. As reported here at TNPS last month, US takings were on target to beat the 2016 record of $11.4 billion, and final results show a 4% jump on 2016, and 6.7% growth on the Read More …
Diary of a Cricket, as the English translations of De men phieu luu ky runs, is a 1941 children’s book by To Hoai now debuting as a musical thanks to the Ho Chi Minh City Ballet Symphony Orchestra and Opera. Composed by Vu Viet Anh and conducted by Tran Nhat Minh, who together wrote the Read More …
There’s still a week to go – and the busiest week of the year at that – and US Box Office takings are on target for $11.8 billion in 2018, compared to 2016’s previous record of $11.4 billion. And it’s not just revenue. Attendance is up too, by between 5%-7% year on year. So much Read More …
What are the chances? You self-publish a comic book. Someone finds an old copy in a trash can. He happens to be a TV director. Next thing you know, your self-published comic book is a TV series. Now try count the odds for it happening twice! Okay, so there was no trash can involved the Read More …
Debut novelist Sam Marsden is the latest author to grab the attention of the moving pictures folk, with a preemptive TV and film rights deal just before Frankfurt. Stampede, Deadline explains, The book is set in a glass-domed Martian colony and follows 17-year-old Eva Knight, the daughter of colony’s president who detests life on Mars and Read More …
In case you missed any, the past week’s posts from TNPS: As the National Library of Paraguay gets a new Director, Paraguay’s publishing future is digital 2020 World Book Capital’s censorship double standards: It’s one rule for Malay titles and another if the book is in English Mark Williams At Large Amsterdam’s Festival voor het Afrikaans Read More …
We start the day global today in the USA, where Ron Charles in the Washington Post asked, Do we still need Banned Books Week? Charles, according to Joni Di Placido, writing for the Kobo Writing Life blog, argued that book banning is largely confined to our repressive past. Charles here presumably (the OP is behind Read More …
While some publishers are looking to blame Netflix and binge TV watching for declining readers numbers, those that have books that are also films or TV know that actually, Netflix is the publishing world’s best friend, and is boosting publisher revenue by taking book content to new audiences. In India the Mumbai Film Festival is Read More …
I often talk here about a digitally-driven Global New Renaissance unfolding, where the proliferation of smartphones around the globe and improved internet access around the world means anyone, anywhere on the planet can theoretically consume and produce content from anywhere on the planet. As we’ve seen with Netflix – As Netflix approaches the global revenue Read More …
The global publishing market has never been more exciting, and every day myriad publishing stories cross my screen that I’d love to develop here at TNPS, but there simply isn’t time. They do make the TNPS twitter feed, however. Follow TNPS on twitter here: @thenewpubstd. But twitter is an ephemeral beast. If you’re reading TNPS in Read More …
Just a year after the digital publisher Juggernaut launched its self-publishing arm Writing Platform, one of its authors has signed a movie deal. Writing Platform is a variation on Wattpad, where unknown authors can upload their own material, but whereas Wattpad is global, Juggernaut’s version is limited exclusively to residents of the Indian subcontinent. Launched Read More …
