With the announcement in December that Amazon-owned Audible was sponsoring the prestigious Sunday Times Short Story Award came the prospect that the winners would not just earn some extra cash but would have their entries published as an audiobook that would reach a still wider audience.
Which all sounds great. The Sunday Times Short Story Award rightly prides itself on its inclusiveness, with a blind jury reading English-language submissions from all over the world. In fact, from every continent except Antarctica.
Just this week authors in Africa were invited to submit short stories for the award.
But there’s a catch. A rather unpleasant one for authors who have never been published before.
Because the eligibility rules require the submitting author to have a track record of being published in the UK or Ireland.
Just how many African authors – or authors from other continents – are likely to be able to meet that criteria?
But hold on, you might say, This is 2019. As we all know, Amazon has democratised the publishing industry so anyone can self-publish via Amazon’s Kindle Direct Publishing (KDP) service. The snobbery of self-publishing as some kind of third class last resort by authors not good enough to hack it in the real world is a thing of the past.
And Amazon itself proudly told us how thousands of self-published authors in 2018,
earned more than $50,000, with more than a thousand surpassing $100,000 in royalties.
That from the Wall Street Journal just this week. So no question some self-publishers are by any definition professional authors putting out quality content and finding receptive audiences.
The stigma of self-publishing is a thing of the past, right? And all thanks to Amazon.
Well, no. Actually the stigma of self-publishing as a third-class last resort of the unpublished and the unpublishable is alive and well… at Amazon.
You could be forgiven for not realising that when looking at the Sunday Times Audible Short Story Award where any mention of Amazon owning Audible is studiously avoided.
And understandably so, because while Amazon is proudly proclaiming its championing of self-publishing, and while Audible itself operates a self-publishing arm, ACX, Audible is happily telling authors that if they self-published their books or short stories then they are third class authors and haven’t been properly published at all.
On the submissions page, Amazon-owned Audible tells us (their capitals),
To be eligible, the author MUST have a record of prior publication in creative writing in the United Kingdom or Ireland. This means the author MUST have previously have had works of prose fiction, drama, or poetry published by an established publisher or an established printed magazine in the UK or Ireland, or broadcast by a national radio station in the UK or Ireland
But what’s the problem? Everyone knows Amazon’s ebook self-publishing service KDP and POD self-publishing service KDP Print (formerly CreateSpace) are proper, established publishers. After all, as Amazon told us,
thousands of self-published authors in 2018 earn more than $50,000, with more than a thousand surpassing $100,000 in royalties.
But it seems with Amazon that sometimes its right hand doesn’t know what its left hand is doing. because Amazon-owned Audible is telling us unequivocally that, no matter how many books they sold, or how much they earned, an indie author’s self-published works are not worth a light.
Don’t take my word for it. It’s right there in item 3.6 of the terms and conditions of the Sunday Times Audible Short Story Award. Bold highlights are mine. The words are those of the Sunday Times and Amazon-owned Audible.
3.6 The author must have a record of prior publication in creative writing in the UK or Ireland. This means the author must previously have had works of prose fiction, drama or poetry published by an established print publisher or an established printed magazine in the UK or Ireland, or broadcast by a national radio station or in audio format in the UK or Ireland. For the purpose of this clause 3 and for the avoidance of doubt:
- 3.6.1 ‘established publisher’ means a current or past publishing house that publishes/published a list of titles by different authors, that produces/produced titles with an ISBN and sells/sold them in pounds sterling or euros, and that distributes/distributed them through retail outlets, e-commerce store or online marketplace;
- 3.6.2 ‘established printed magazine’ means a periodical that is published regularly (monthly, bi-monthly, quarterly), that has been and is currently in circulation for at least the past 12 months, has an ISBN or ISSN number and is not self-published by the Entrant or otherwise;
- 3.6.3 None of the following will constitute a ‘record of prior publication’:
- 18.104.22.168 self-published material of any kind;
- 22.214.171.124 work published using a print-on-demand service;
- 126.96.36.199 work published via commercial arrangement through which the publisher is paid (in monetary or in kind) by the author;
- 188.8.131.52 online publication;
- 184.108.40.206 a piece of creative writing pending publication;
- 220.127.116.11 work published in a newspaper, magazine or audiobook format;
- 18.104.22.168 work of broadcast television or film;
- 22.214.171.124 feature writing; and/or
- 126.96.36.199 musical lyrics.
Let’s leave aside that condition 188.8.131.52 directly contradicts the primary condition.
Let’s just single out what Amazon-owned Audible, in conjunction with the Sunday Times, is saying here, and that there is absolutely no room for misinterpretation
Yet according to Amazon-owned Audible this, and the achievements of those “thousands of self-published authors in 2018 (that earned) more than $50,000, with more than a thousand surpassing $100,000 in royalties,” does not constitute a record of prior publication.
You couldn’t make it up.